Artist: Nick Lowe: mp3 download
Genre(s):
Rock
Other
Discography:
At My Age
Year: 2007
Tracks: 12
Labour Of Lust
Year: 1979
Tracks: 11
As the leader of the germinal public sign of the zodiac bikers Brinsley Schwarz, a producer, and a solo artist, Nick Lowe held considerable influence over the development of punk rock. With the Brinsleys, Lowe began a back-to-basics battlefront that flowered into spunk rocker rock-and-roll in the late '70s. As the house producer for Stiff, he recorded many germinal records by the likes of the Damned, Elvis Costello, and the Pretenders. His rough, ragged production style earned him the nickname "Basher" and as well established the inexpert, D.I.Y. esthetics of punk. Despite his massive influence on punk rocker rock'n'roll, Lowe never rattling was a punk rocker. Lowe was implicated with bringing green goddess the tradition of three-minute pop singles and hard-driving rock & roll, but he subverted his melodic songcraft with a foul sense of humour. His early solo singles and albums Redeemer of Cool and Childbed of Lust overflowed with hooks, type jokes, and an infectious energy that made them some of the nearly acclaimed pop out records of the fresh wave earned run middling. As raw wave began to blow over away in the early '80s, Lowe began to explore roots rock-and-roll candy, eventually decent a full-fledged country-rocker in the '90s. While he never had some other hit afterwards 1980's "Roughshod to Be Kind," his records establish a devoted furore audience and ofttimes were critically praised.
The son of a British Royal Air Force officeholder, Lowe fatigued voice of his childhood stationed in the Middle East ahead his crime syndicate settled in Kent. As a adolescent, he played in a mixed bag of bands, including Three's a Crowd and Sounds 4 Plus 1, with his ally, guitar player Brinsley Schwarz. In 1965, the mate formed the guitar-pop band Kippington Lodge, which landed a contract with Parlophone Records the following year. Over the future 4 age, the group released fin singles, none of which received practically attention. In 1969, Kippington Lodge evolved into the country-rock band Brinsley Schwarz, world Health Organization secured a record contract with United Artists the following year. At the kickoff of their calling, the Brinsleys attempted to win renown by holding a show window concert at the Fillmore East, simply the publicity stunt backfired, making the ring outcasts from the British music scene by the clock time their first record album was released. Over the future five age, the group slow built a following as the leading exponents of pothouse stone, a back-to-basics apparent movement of good time rock & roll that earned a niche in the former '70s.
With their retiring appearance and unostentatious music, saloon rockers set the stage for punk rock rock candy in the late '70s, non only by relying on three-chord tilt & roll, simply likewise establishing a circuit of pubs to play. Of all the old guard saloon rockers, Lowe was the about significant in the development of spunk stone. By the time Brinsley Schwarz bust up in 1975, he had already gained a repute as an fantabulous, geek ballad maker, and he was root to produce artists like Graham Parker, Dr. Feelgood, and the Kursaal Flyers. At the time, his songwriting was swerving away from the country-rock and bluesy rock that distinguished his Brinsley solve, and he was start to write imaginative pop songs. Lowe cherished to leave United Artists, simply the label refused to permit him go, so he proceeded to record a series of measuredly unmarketable singles in hopes of getting kicked cancelled the label. The first gear was "Bay City Rollers We Love You," a facetiously tribute to the adolescent pop sensations credited to the Tartan Horde. Inexplicably, the individual became a hit in Japan -- the Japanese arm of UA tied asked for a full album -- and the judge kept him as an artist. However, after "Let's Go to the Disco," credited to the Disco Brothers, UA dropped him from the tag.
Later departure UA, Lowe became the first gear creative person on Jake Riviera and Dave Robinson's fledgling main mark Stiff Records as well as the label's in-house producer. Recorded for just 65 pounds and released in the summertime of 1976, "So It Goes"/"Heart of the City" became the number one British proto-punk single of the recent '70s, earning radiance reviews if non gross sales. Lowe began producing records at a rapid rate, helming the Damned's debut record album, Goddamn Damned Damned -- the number one British punk record album -- and Costello's My Aim Is True in 1977; he would raise all of Costello's albums betwixt My Aim Is True and 1981's Trust. Lowe besides produced singles by Wreckless Eric, the Rumour, and Alberto y los Trios Paranoias as intimately as Graham Parker's early albums. In the summertime, he became part of Dave Edmunds' touring band Rockpile, which would go his financial backing band within a year. He besides released the Bowi EP (a fiddle on the title of David Bowie's Broken LP) in 1977, and toured with the Stiff bundle tour of duty Live Stiffs before leaving the tag with Costello to conjoin Riviera's new label, Radar Records.
Lowe released his debut record album, Good Shepherd of Cool (retitled Pure Pop for Now People for its American release), in 1978, which featured his first-class honours degree British Top Ten hit, "(I Love the Sound Of) Breaking Glass." The single "American Squirm" was released in the fall of 1978 to little success. After producing the Pretenders' debut single, "Stop Your Sobbing," Lowe recorded his second record album, Labour of Lust, supported by Rockpile; Edmunds' Reiterate When Necessary was recorded at the same session. Labour of Lust featured Lowe's one big American hit, "Fell to Be Kind," which was a reworked version of an old Brinsley Schwarz vocal. Between the recording and touring in 1979, Lowe married Carlene Carter, the stepdaughter of Johnny Cash; he would raise her albums Musical Shapes (1980) and Gamy Nun (1981).
Lowe and Edmunds toured with Rockpile to support their respective 1979 albums, and the couple were the subject of the BBC documental Born Fighters later that year. Rockpile's shows became infamous for their wild, oftentimes boozy performances and the group's spirited selection of originals and vague covers. In 1980, the band decided to record an record album together, but the roger Huntington Sessions were plagued by tension between Lowe and Edmunds. Seconds of Pleasure, the group's lone record album, was released in the precipitate of 1980 to sundry reviews; it generated unitary hit single, the Lowe-written "Instructor Teacher." Rockpile split only months afterward the release of Seconds of Pleasure, with the left over members choosing to support Edmunds on his solo record album.
Lowe returned with Snick the Knife in February of 1982, supporting the record album with a band featuring guitar player Martin Blemont and keyboaridst Paul Carrack; the grouping was offset called the Chaps, merely their cite changed to Noise to Go during the American circuit. Snick the Knife was a chair hit, just its followup, 1983's The Abominable Showman, was a flop. Lowe retaliated by shifting his music toward roots rock on his 1984 album And His Cowboy Outfit. Both Outfit and its 1985 successor, Rose of England, were greeted with confirming reviews and improved gross sales; the former featured his lowest U.K. tally, "Half a Boy Half a Man," and the latter featured his last U.S. tally, a reworking of his chestnut "I Knew the Bride (When She Used to Rock & Roll)." In 1986, he reunited with Costello to farm Blood & Chocolate. The album was one of many records -- including efforts by the Fabulous Thunderbirds, John Hiatt, and Paul Carrack -- he produced in the '80s.
During much of the mid-'80s, Lowe suffered from alcohol blackguard, but with the help of his old match Costello and Riviera, he recovered and gave up looking for a crossover pop run into, concentrating on country-rock and roots john Rock. Pinker and Prouder Than Previous (1988) was the number 1 indication of this shift in style, only the record largely went unnoticed. Produced by Dave Edmunds, Party of One (1990) became his number 1 charting album since 1985. Later that class, Lowe divorced Carter. The following year, he formed the supergroup Little Village with John Hiatt, Ry Cooder, and Jim Keltner; all of the musicians played on Hiatt's 1987 breakthrough album, Bring the Family. Little Village was fraught with tenseness, and their eponymic 1992 record album and its supporting tour suffered as a answer. The chemical group disbanded upon the tour's determination. While he was working on material for a new record album, Lowe's Brinsley Schwarz composing "(What's So Funny 'Bout) Peace, Love and Understanding," which had previously been a arrive at for Costello, was covered by Curtis Stigers for the soundtrack to Whitney Houston's moving-picture show The Bodyguard. The album became the biggest-selling soundtrack album in history and, in the process, Lowe circumstantially became a millionaire from the songwriting royalties.
Lowe made a rejoinder in 1994 with the neat country album, The Impossible Bird. Hailed as his finest crusade in old age, the album became a impinge on in the burgeoning Americana move in the U.S., and he supported the album with his number 1 solo circuit in five years; his touring band featured former Commander Cody guitarist Bill Kirchen. In 1998, Lowe returned with Dig out My Mood, followed by a series of trey albums for Yep Roc: 2001's The Convincer, 2004's live Untouched Takeaway, and 2007's At My Age.
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